There is something particularly magical about a Sooraj Barjatya heroine dressed in yellow. Whether it is a romantic song, a moment of love or a beautiful celebration, the colour has found its way into some of the most memorable moments in his films. And there is a rather sweet reason behind this recurring cinematic detail. Sooraj Barjatya's wife loves the colour yellow, and that fondness has translated into a little tradition of sorts, with the filmmaker often dressing his leading ladies in yellow during important scenes and songs. Over the years, these moments have become iconic in their own right, giving us some truly unforgettable Bollywood visuals.

With Yeh Prem Mol Liya adding another chapter to this tradition, thanks to its recently released romantic track 'Saawan Aaya Hai', here's a look at the Barjatya heroines who have made yellow such a memorable part of his cinematic world.

1. Sharvari – 'Saawan Aaya Hai', Yeh Prem Mol Liya

The newest addition to Sooraj Barjatya's much-loved tradition is Sharvari, who is carrying forward the charm of the quintessential Barjatya heroine in Yeh Prem Mol Liya. In the recently released romantic track 'Saawan Aaya Hai', Sharvari is seen in a beautiful yellow saree, bringing together the timeless appeal of traditional Indian dressing and old-school Bollywood romance. Set against a monsoon backdrop, the song captures the growing romance between her and Ayushmann Khurrana through stolen glances and tender moments. With her graceful presence and the beautiful yellow saree, Sharvari makes for a lovely addition to a long line of Barjatya heroines who have made the colour so iconic on screen.

2. Bhagyashree – Maine Pyar Kiya

Long before yellow became a recurring visual in Barjatya's films, Bhagyashree gave us one of its most memorable appearances in Maine Pyar Kiya. Dressed in a beautiful bright yellow suit, she embodied the freshness, innocence and effortless charm that made Suman such a beloved heroine. The look, much like the film itself, remains etched in the memories of generations of moviegoers.

3. Madhuri Dixit – 'Maye Ni Maye', Hum Aapke Hain Koun..!

If there is one song that instantly comes to mind when thinking of Barjatya heroines in yellow, it has to be Madhuri Dixit's 'Maye Ni Maye'. Her radiant yellow ensemble, graceful movements and infectious expressions made the song an absolute visual delight. As Nisha, Madhuri brought a playful warmth to the screen, and this particular look became one of the many fashion moments that made her character so memorable.

4. Tabu, Sonali Bendre and Karisma Kapoor – Hum Saath-Saath Hain

Barjatya's love for yellow extended beyond a single heroine, and Hum Saath-Saath Hain gave us three leading ladies embracing the colour. Tabu, Sonali Bendre and Karisma Kapoor brought their individual charm to the film's beautiful family celebrations, with their traditional looks adding to its vibrant visual appeal. Their appearances are another lovely reminder of how yellow became a recurring part of Barjatya's cinematic world.

5. Kareena Kapoor Khan – 'Kasam Ki Kasam', Main Prem Ki Diwani Hoon

Kareena Kapoor Khan brought her own youthful energy to the yellow tradition in Main Prem Ki Diwani Hoon. In 'Kasam Ki Kasam', she is seen in a beautiful yellow saree, looking every bit the quintessential romantic heroine. With her expressive charm and the song's dreamy setting, Kareena made the look an especially memorable one. It was another instance of Barjatya using yellow to frame a romantic moment on screen.

6. Amrita Rao – 'Do Anjaane Ajnabi', Vivah

In Vivah, Amrita Rao's Poonam represented the gentle, graceful and deeply rooted heroine that audiences have come to associate with Barjatya's cinema. In 'Do Anjaane Ajnabi', her yellow look beautifully complemented the tenderness of the budding romance between Poonam and Prem. The simplicity of her styling, paired with the song's old-world romanticism, made for a picture-perfect cinematic moment.

7. Sonam Kapoor – Prem Ratan Dhan Payo

Taking the yellow tradition forward was Sonam Kapoor in Prem Ratan Dhan Payo. Seen in beautiful traditional ensembles throughout the film, Sonam brought a more opulent interpretation to the colour. With elaborate styling, intricate detailing and a regal setting, her looks were a fitting addition to Barjatya's visual world, where romance, grandeur and tradition come together seamlessly.